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Impro: Improvisation and the Theatre

Free Ebook Impro: Improvisation and the Theatre

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Review

""Impro ought to be required reading not only for theatre people generally but also for teachers, educators, and students of all kinds and persuassions. Readers of this book are not going to agree with everything in it; but if they are not challenged by it, if they do not ultimately succumb to its wisdom and whimsicality, they are in a very sad state indeed . . . .Johnstone seeks to liberate the imagination, to cultivate in the adult the creative power of the child . . . .Deserves to be widely read and tested in the classroom and rehearsal hall . . .Full of excellent good sense, actual observations and inspired assetions."-"CHOICE: Books for College Libraries

Product details

Paperback: 208 pages

Publisher: Routledge; 1 edition (January 9, 1987)

Language: English

ISBN-10: 9780878301171

ISBN-13: 978-0878301171

ASIN: 0878301178

Product Dimensions:

5 x 0.8 x 8.5 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

77 customer reviews

Amazon Best Sellers Rank:

#22,215 in Books (See Top 100 in Books)

This may be one of the most important books about spontaneity training for all purposes including of course all of the arts, therapy, and business applications. Johnstone's personal journey in discovering what keeps us trapped in the constant repetitive thinking which ultimately leads to fewer choices in life often a feeling of being trapped, has shown joyful unpredictable ways of breaking out of that trap and reassuming the spontaneous creative genius which is our heritage as human beings. We use so little of our capacity to think outside the box as we are ruled by the subconscious repetitive nay saying imposed on us from birth. Johnstone has shown us so many ways of liberating our minds and reestablishing a sense of freedom to think as we will. As someone who has written about this sort of thing and been a professional in theater, song writing, and as a therapist helping people to break out of their defeating cycles and working at times specifically with creative people who have lost their muse, I cannot recommend this book enough. It is a breakthrough in so many areas. GET IT!!

I heard about this book from a discussion on general social interaction. In particular, how people could learn to employee various behavioral characteristics that lead others granting you this or that social status. In other words, you can learn to get others to think of you as the boss or of otherwise high status. Or of low status, if that's your goal. The idea seemed both creepy and intriguing so I got the book.And while this is indeed discussed in this book, there is so much more. While ostensibly a book on teaching techniques for better improv theater the reasoning and discussion on *why* this or that technique works is amazing.The author talks about why most formal education stinks, why people who try too hard to be original often are anything but, how and why people befuddle their own imagination and inventiveness, and how one can get around all that.Even if you never partake in any improv theater the book will give you interesting and useful ideas on how people (including you) perceive things, how people react to the unfamiliar and challenging, and how you can open yourself up to more rewarding experiences.

These improvisations and lessons transcend theater. This compelling book reminds me again and again that all art and life are feasts of the imagination. We must always push the envelope and bravely break through fear and other obstacles that hold us back. I have borrowed exercises from this book and successfully offered them in writing and spirituality workshops. I perceive that many will also be effective in teen/parenting workshops. The book is a fountain of wisdom and a challenging guide to break free and go deeper.

Impro isn't just about the theater, it's about life, about the ability to live improvisationally. Read it. Try the exercises out for yourself. Want to have more fun? Want to improve your relationships? Want to meet new people? Improvise. And don't keep your improvisational antics a secret. Tell people what you are doing. Play status games WITH them. bring them into the fun of improvisation. smile. Life is all a big improvisation anyway.

This book is for you if you are artsy, creative, want to be artsy or creative, or don't want to be artsy or creative, or couldn't be artsy or creative if you wanted to be. If you ever converse with people, find yourself in gatherings of people you don't know, or none of those things, this book is for you. Also if you live on this planet this book is for you. If you read this book, you will be glad you did. My personal favorite is the chapter on masks. You should get this book.

This was the first improv book that I ever read, and in retrospect I kind of wish I'd read something like Charna Halpern's TRUTH IN COMEDY or Mick Napier's IMPROVISE first. Those books will give you a better introduction to what most of us know of as group improvisation - the "Whose Line is it anyway" sort of thing. They'll give you a better framework to work with.Keith Johnstone's book, on the other hand, is kind of like a complete rethinking of the Improv framework ... he writes about things I haven't read about anywhere else. And it really made me think about things in a different way.First of all, I have to admit that the first couple of sections are pretty dry. I had to struggle to get through the section on "Status" ... I was thinking to myself, why did people give this BORING book a good review?? ... I did consider that maybe it's because the man is British (I think), and so the style of writing and the type of humor is a little different than I'm used to.However, when he gets around to talking about the story/narrative, suddenly there is a flash of brilliance and it all started to make sense ... basically he talks about just letting GO of the things that are inhibiting us, how to stop listening to the voice that is telling us NO all the time ... and, I don't know, there's just something very profound in the way that he discusses it - little insights here and there that are just, for lack of a better word, very MEANINGUL.For example, he says, of parents and teachers who scold their children, to keep their undesirable 'creativeness' under wraps: "... when these children grow up, and perhaps crack up, then they'll find themselves in therapy groups where they'll be encouraged to say all the things that the teacher would have forbidden during school." SO TRUE. This is what all the group therapies in Psych hospitals do - try to bring back the creativeness of the child. Why do we limit it in the first place??Basically he stresses that EVERYONE has "weird" thoughts and an "artistic" nature that many of us have learned to say NO to, because they are forbidden or at least not encouraged. He says, "In one moment I knew that the valuing of men by their intelligence is crazy, that the peasants watching the night sky might feel more than I feel, that the man who dances might be superior to myself - word-bound and unable to dance. From then on I noticed how warped many people of great intelligence are, and I began to value people for their actions, rather than their thoughts."And that's not EVEN getting into the last chapter, on MASKS - at first I was thinking, "OK, this is weird, why is there a huge chapter on MASKS in a book about IMPROV"? But the things he describes there are perhaps the most amazing, and disturbing, of the whole book. It almost makes me fear what I would "do" if I were to follow his instructions and suggestions ... but it's an excited sort of 'fear' - actually I wish I had readier access to instructors who are comfortable in these methods ... well, I can't really describe it much better than that.

I have no acting experience but found this book simply amazing. So much lessons for own life and insights into the acting world

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